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J. D. Biersdorfer | NYTimes Technology | Disclosure





The piece reveals how Jensen Huang, the co-founder and CEO of Nvidia, managed to navigate the turbulent waters of U.S.–China relations at a time when the Trump administration was pushing for stricter export controls on advanced semiconductor technologies. Through a combination of strategic lobbying, technical persuasion, and the support of a well-placed White House advisor with deep roots in Silicon Valley, Huang was able to convince the administration to ease certain restrictions, allowing Nvidia to continue selling AI chips to Chinese clients.
This move not only preserved Nvidia’s access to one of its largest markets but also highlights the delicate balancing act between national security concerns and the realities of global tech competition. The story raises important questions about the role of corporate diplomacy, the influence of private sector leaders on government policy, and the evolving nature of U.S.-China tech relations in the age of artificial intelligence.







As Hollywood studios pour hundreds of millions of dollars into their summer blockbuster releases, an unexpected threat continues to grow—not from rival streaming services or dwindling theater attendance, but from YouTube pirates exploiting the platform’s content moderation gaps. The article sheds light on how entire films are being uploaded, monetized, and distributed illegally, often under the radar of detection algorithms.
This troubling trend isn’t new, but the scale and sophistication of recent piracy efforts are alarming. Using deceptive thumbnails, titles, and split-screen tricks, uploaders are able to bypass YouTube’s automated copyright filters and even collect ad revenue on pirated content before takedown notices are issued. Some videos remain online for hours or even days—long enough to be viewed by tens of thousands of users. By the time the content is removed, the damage is done.
The article highlights examples such as The Flash and Spider-Man: Across the Spider-Verse, both of which were uploaded illegally and gained traction before YouTube’s systems responded. What’s more frustrating for rights holders is that these uploads often appear alongside official trailers or promotional clips, blurring the lines for viewers and undermining marketing efforts.
